Drunk History just did a really amazing episode on the Stonewall Riots.
Besides everything, two great things about this episode: 1) The narrator is Crissle West, the woman who narrated the Harriet Tubman episode; and 2) Comedy Central actually cast transgender actors for transgender roles.
Thank you! And no that is absolutely NOT a silly question!!
Ah my favourite destiel moments. How do I even choose! Well, this comes to mind at top of the list:
Because in my opinion, its the moment everything changed.
I also happen to love this moment:
Because again, game changer
This moment had my heart pounding. For a split second there I thought I was dreaming and something very different was about to happen… can you BLAME ME?!
and also this whole episode:
Because urgh the grumpy angry husbands and Sam being the awkward third wheel was SO GOOD. I think actually my favourite destiel moments in this episode were Sam’s reactions because they were GOLD.
Also this because it textualised everything we had been saying about Dean. He isn’t ANGRY with Cas, he is WORRIED ABOUT HIM. and RIGHTLY SO! This episode textualised just how much Dean cared (and pre season 13 that was actually something that was still up for debate if you can believe it)
I mean I can’t not mention THIS:
Do you know I wrote a whole fucking meta on this scene that I have NEVER posted because by the time I had finished screaming about it it had already been meta’d about by EVERYONE ELSE and I just… gave up? But anyway. THIS MOMENT HOLY FUCK MY DUDES WHAT THE FUCK WAS THIS! THE ZOOM, THE DRAMATIC TURN AROUND, THE MUSIC – IT’S NEVER TOO LATE TO START ALL OVER AGAIN! WHAT THE FUCK WERE THEY THINKING THOSE FUCKERS!
*breaths*
So yeah the end of 13×05 was pretty fucking epic as destiel moments go…
I should probably just mention ALL of 13×01-13×06 really. BECAUSE WOW.
Oh go on then… THIS MOMENT:
BECAUSE THIS WAS BROKEBACK SUPERNATURAL FFS IT WAS GLORIOUS.
But okay, I have pretty much stuck to season 12 and 13 here, but there are LOADS of vintage destiel moments I ADORE as well! HOW AM I SUPPOSED TO CHOOSE WHEN WE HAVE ALL OF THESE:
(This scene in 10×03 kills me because it feels so intrusive. Like I shouldn’t be watching. The scene in 12×19 was a massive improvement on this scene basically. Cas needs to spend more time in Dean’s bedroom…)
(Sorry! But this has SO MUCH symbolism behind it – plus the fact that it was a shot by shot copy of the scene in Dark Angel with a brainwashed baby Jensen and his love interest at the time sooo….. yeah)
Okay, so I may have got a little carried away… Heh… The thing is, when you actually add up everything we HAVE got, it really does put it all in perspective. There is so much history between these two. So MANY moments to love, to revel in. I haven’t even included half of the moments from early on which are oozing with sexual tension, I just picked the first things that stood out in my head.
This is why when people say “destiel doesn’t exist” it drives me mad. Because look. Right here. Here it is existing in the show, just like it always has done. I love each and every one of these moments. Its nearly impossible to pick a favourite. Though I think I will stick with the mixtape scene, because I really do mean it when I say it was a game changer.
But the thing is, the fact that we have SO MUCH to choose from says so much about our ship itself. That’s the most amazing thing. We have such a huge selection of moments between these two characters to choose from that it does become practically impossible to choose your favourite. Hence instead making bloody long posts like this one to clog up your dashboards – sorry about that. But not really. Because if you follow me, then you would probably appreciate the reminder of how fucking awesome Destiel is, and has always been. 😀
Tarzan grows up in the jungle because the sailors on his parents’ ship mutiny and maroon them there. Two decades later, the sailors on his cousin’s ship ALSO mutiny and maroon him and Jane in the exact same area where Tarzan happens to live
He’s raised by apes after his parents die because one of them who’s been carrying around her own dead baby is moved by the maternal spirit to drop its corpse in Tarzan’s crib and pick up the human baby instead
Tarzan teaches himself how to read and write fluent English by reading his parents’ old books
He later leaves Jane and co. really passive-aggressive notes telling them that he’s Tarzan and they better not touch his stuff
Tarzan also rescues them from various jungle troubles in person, but he can’t communicate with them because he can’t speak/understand spoken English
Jane and her friends spend their entire time in the jungle thinking that there are TWO DIFFERENT people who keep saving them: their reclusive host who leaves them salty messages and signs his name Tarzan of the Apes and then that other guy who lives with the apes
Literally they never put two and two together until Tarzan tracks them down in America and tells them he was Tarzan all along
Which he does in French
Because back in the jungle he rescued a French guy who taught him how to speak that language
So Tarzan can read and write English but speaks only French by the time he leaves the jungle
Jane goes back to America while Tarzan is off helping his French friend, and he follows her all the way home just to arrive the day before she’s gonna marry a rich guy to cover her father’s debts. It’s literally one of those Taylor Swift STOP THE WEDDING tropes, but with this weirdly buff ape man yelling in French instead
Jane’s father has debts because he borrowed a ton of money to charter a ship and follow a pirate treasure map he found, which, logical. We’ve all been there
The sailors on that ship are the ones who mutiny and maroon Jane earlier on, after finding the treasure and deciding they want to keep it for themselves
But Tarzan sees them rebury the chest and he digs it up and takes it with him to America to find Jane. The sailors are later very confused when they go back and find the treasure missing
Meanwhile Tarzan’s friend keeps trying to convince him that he’s the son of those two adult skeletons in his cabin, but Tarzan is all like, nah, I’m pretty sure that baby ape skeleton in the crib was theirs.
Oh also yeah, Tarzan totally just left all three skeletons lying around until his human friends showed up and were like, boy, you’re nasty
Also Tarzan needs a lot of convincing to believe that his ape foster mom wasn’t his birth mother
Like an absurd amount of convincing, really
His friend finally proves it by dragging Tarzan to a fingerprint expert in Europe to compare his prints to the baby ones that his dad fortuitously recorded in his journal just before he died.
The fingerprint proof means he’s actually the heir to his family’s title and wealth instead of his cousin, but he decides not to tell Jane about it
Because after Tarzan interrupts her wedding plans and gives her the pirate treasure (so that she doesn’t have to marry the rich guy), she turns down Tarzan’s own proposal and agrees to marry his cousin instead
And he’s like, alright, and leaves
Truly one of the great love stories of our time
I think she does change her mind and marry him in one of the sequels, but there are literally over two dozen of those that by all accounts are even weirder than this one and I just honestly don’t think I’m ready
This is accurate and that book was amazing 10/10 recommend every time Burroughs was a real weirdo and it was so much better than the movie please read his nonsense
I read this book and I can attest to the accuracy of the above statements.
But I feel the need to add that Edgar Rice Burroughs was a salty mofo! He threw such shade, what a dude.
Ok so here’s the story; he was working as a pencil sharpener wholesalemen for seven years (I know, startlingly mundane) when his wife had their second kid in 1909, he was bored beyond occupation and had copious spare time and began reading pulp-fiction magazines. In 1929, he recalled thinking that
“…if people were paid for writing rot such as I read in some of those magazines, that I could write stories just as rotten. As a matter of fact, although I had never written a story, I knew absolutely that I could write stories just as entertaining and probably a whole lot more so than any I chanced to read in those magazines.”
So what I’m telling you here is, this guy read something went this is TRASH, i could write better trash, in fact I WILL.
“they” (1 word) is shorter than “he or she” (3 words)
“they” is more inclusive than “he/she”
“themself” flows more naturally than “him or herself”
“they” is less clunky than “(s)he”
it’s time to replace the awkward “she or he”
“hey can you go ask they what does they want for dinner, and when is they coming over to watch movies with they?”
“Hey, can you go ask them what they want for dinner, and when they’re coming over to watch movies?”
Step one is learning how to talk like a human person.
Friendly reminder:
“I shouldn’t like to punish anyone, even if they’d done me wrong.” —George Eliot, The Mill on the Floss (1860)
“A person can’t help their birth.” —William Thackeray, Vanity Fair (1848)
“But to expose the former faults of any person, without knowing what their present feelings were, seemed unjustifiable.” —Jane Austen, Pride and Prejudice (1813)
“Every Fool can do as they’re bid.” —Jonathan Swift, Polite Conversation (1738)
“So likewise shall my heavenly Father do also unto you, if ye from your hearts forgive not every one his brother their trespasses.” —King James Bible, Matthew 18:35 (transl. 1611)
“God send every one their heart’s desire!” —William Shakespeare, Much Ado About Nothing (~1600)
“Now this king did keepe a great house, that euerie body might come and take their meat freely.” —Sir Philip Sidney, the Arcadia (1580)
“If … a psalme scape any person, or a lesson, or els yt they omyt one verse or twayne…” —William Bonde, The Pylgrimage of Perfection (1526)
“And whoso fyndeth hym out of swich blame, / They wol come up and offre a Goddés name” —Geoffrey Chaucer, The Pardoner’s Tale (~1380)
“þan hastely hiȝed eche wiȝt on hors & on fote, / huntyng wiȝt houndes alle heie wodes, / til þei neyȝþed so neiȝh to nymphe þe soþe [Then hastily hied each person on horse and on foot / hunting with hounds all the high woods / ‘til they came so near, to tell the truth]” —William and the Werwolf (transl. ~1350-1375)
“Bath ware made sun and mon, / Aiþer wit þer ouen light [Both were made sun and moon / Either with their own light]” —Cursor Mundi (~1325)
We’ve been using they/them/their pronouns to indicate a person with unspecified gender for a long ass fucking time. The only reason it’s become a big issue lately is because it can be used as a semi-respectful term for trans and non-binary folks and we can’t have that can we
These fucks are literally trying to change our language to hurt trans/nb folks, and claiming that’s just the way its always been
There’s something really terrifying about the concept of being pursued by something that can only walk slowly after. Just slooowly following. You can chill for a while if you get far enough away but it’s still coming.
That’s called “persistence hunting” and it’s how humans hunted all sorts of megafauna to extinction, as well as what let our species become so disperse and so numerous. Our existence is a horror story told from the monster’s perspective.
So you’re telling me zombie is absolutely a valid career path
Watch the movie on Netflix called “ It Follows” lol
Basically our hunting super power is that we are really smart, good at tools and can walk/run forever.
If my roommate ran 20 miles twice in one day (possible if she does one in the morning and one in the afternoon) she would out travel a horse.
She is not FASTER than a horse, but if a horse was walking away from her for 8 solid hours, Kait could catch up to it. She could probably also walk after it for an additional 5-10 miles after the run and then stab it when it got too tired to go on.
But kait’s athletic.
I, on the other hand, am a fatty fat who weighs 210 and never exercises ever.
I once, completely spontaneously because i had no money for the train, walked 17 miles in the winter from one end of Chicago to the other. I had also not eaten and was wearing a backpack. It took me 3 hours, but I accomplished it with ease. If i wasn’t a chub goddess, and had eaten and it was summer and I wasn’t wearing a backpack with a laptop in it, imagine how far and fast I could have gone.
Now. Horses can only sustain a run for about 15 miles ( at 8-10mph it takes them a little over an hour).
If my fat ass was walking towards a horse for 3 hours and it was literally running away from me. It would become exhausted after 15 miles and unless it can recover completely in 2 hours for another lengthy sprint, I can reasonably catch up to it and stab it. (not that i would ever stab a horse. horses are terrifying and should be regarded with suspicion, respect and fear)
The longest run ever was 350 miles over 80 hours without sleep.
We are endurance monsters.
humans terrify me
“Our existence is a horror story told from the monsters perspective” is one of the coolest and most terrifying sentences I’ve ever thought about
no offence but let yourself be ugly!! you don’t have to fix your hair if you’re not going anywhere you don’t have to cover up ur spots or change out of your lounge pants to go buy milk like damn we really gotta let ourselves be comfortable without constantly apologising for just looking normal and it’s hard but i think we need to practice looking in the mirror and saying i look ugly af today and that’s okay!! tru self care is letting urself be ugly tbh
I love this version of self-love because it’s much more feasible for people who are self-conscious. Like it takes years of powerful reconditioning to convince yourself that your flaws, like stretch marks or acne or cellulitis, are attractive. It’s basically impossible for most people.
But learning to say “so what, I’m ugly, there’s more to life” not only overwrites this narrative that we have to feel attractive in some way (which is bs) but also reroutes your actual attention to just, living, instead of examining, evaluating, and judging your appearance
I want a story about a king whose son is prophesied to kill him so the king is like “whatever what am I supposed to do, kill my own kid wtf is wrong with you” so he just raises him as normal, doesn’t even tell him about the prophecy, and instead of some convoluted twist of events that leads to the king’s murder the son grows up and when the king is very old and dying and in excruciating pain the kid is just like alright I’mma put him out of his misery.
The king’s son becomes the new king, and is prophesied to defeat evil and bring an age of prosperity. His generals and knights all crack their knuckles but he pretty much ignores them and focuses on strengthening the infrastructure of his kingdom. Forty years later he is old and sick but still hearing his subjects’ grievances, and a general’s like “how will you defeat the prophesied evil now? You’re old and weak.” Another visitor, a teenager fresh out of the kingdom’s public education system, looks at the general like he is an ignoramus. The king eradicated poverty, housed the homeless, taught the ignorant, ended class exploitation by abolishing the nobility and imprisoning the corrupt, and established a highly respected guild of doctors that recently figured out how to cure the plague. There are no brigands because there is enough wealth for everyone to live comfortably; hiding in the woods and taking trinkets from people simply doesn’t make any sense for anyone but the desperate, and the people are not desperate. Evil is a weed, explains the teenager. It grows in cracked roads and crumbling houses and forgotten corners, rooted in indifference and watered by suffering. But the king demands that broken things be mended and suffering people be made well.
No evil lives in this kingdom, says the teenager. It starved to death before I was born.
Every once in a while, when I’m feeling down, I go and look at the notes on this post and they make me feel a lot better. This is the energy I want to carry into 2018.