ashleynef:

simaethae:

so on the subject of stolen property, i’ve seen various arguments on this point but it is in fact true that inheriting something from a relative, when you know full well that it was stolen, does not make it yours.

this clearly goes doubly so for powerful magical artifacts, and especially for artifacts which are strongly implied to contain part of their creator’s soul!

you can talk about consequences – maybe the artifact in question has benefits for you, maybe you’re not convinced its rightful owners would use it responsibly – but talking about the consequences doesn’t erase the fact that whatever benefits you think you’re getting are achieved through wrongful means.

which is why i, too, think Frodo should have given the One Ring back to Sauron. thief.

Hahahahaha here comes the law student nerd ready to complicate your wonderful post, op.

(Really this is just pretext for me to study for my property final in a week, so thanks yeah)

Because according to the principles of common property law, the matter of who actually owns title to the One Ring becomes really complicated really fast.

Buckle up babes for the pedantic law lecture no one asked for.

(more under the cut)

Keep reading

excerpt from videlicet

limblogs:

https://vidders.github.io/articles/vidding/demystifying.html

OK so lemme expand a sec on matching.

So right now Fool For Love is playing in the other room; let’s break that
down briefly. The scene is Spike telling Buffy about killing his last
slayer and it’s a good example because it’s two fights cut together,
into one, explicitly, so it’s easier to really see the matches.
They are showing you the matches. The scenes are stitched together
through these motion matches until they occupy the same space. By the eyeline match, they can have 70s Spike addressing 2000s Buffy and it’s perfectly coherent.

Consider that these two scenes are really four scenes – that all
fight scenes are really shot as (at least two) separate scenes cut
together because the actors and the stunt doubles both act out the
scenes and then their motions are matched and cut together to form one
percept.

Now realise ALL continuity editing does this – even in the same scene with the same actors. You can connect any clip to any other clip, from anything, so long as there’s some continuity of form: in shape, colour, motion, eyeline…

Which reminds me, in Pteryx’s interview she talks about the Buffy titles, which have to be acknowledged as massively influential on vidding*.

Just spend some time watching these credits and look for motion matches,
graphic matches. This is like that, this is like that. Once you start
seeing them you’ll notice this all over.

Dawn’s eyebrow takes up the motion line. The motion builds a tangible space by bouncing itself against “walls”. 

Watch it again with another eyebrow follow-through. Dawn is the key. 😛 

See how the motion moves one way and then resolves back: the conceptual “room” must have some limits, some rigid bodies and colliders

Swing the pendulum. Trace the arc


*As well as the Friends titles; I mean, the Friends titles basically
slowly teach you how to edit (very simply) to music- they start off with
the characters literally dancing to the music and then gradually over the years
replace each dance move with a clip from the show that dances in a
similar way. There’s a reason making Friends Style Credits is a gateway
drug.

https://vidders.github.io/articles/vidding/

How can I tell if I’m actually going through emotional abuse and not just being overemotional?

speakingofabuse:

well, here’s a few signs:

  • if you are scared of somebody 
  • if they call you names, invalidate your feelings, apologize insincerely for upsetting you, or manipulate you
  • if somebody has ever called you “worthless”, “useless”, “good for nothing”, or any other variation of telling you that you don’t have value
  • if you think about all your actions in words in terms of “will this make them mad at me” because they tend to get mad over small things
  • if you feel like you have to change your demeanor and personality to suit them because otherwise they’ll be angry
  • if you can’t set up boundaries like “take time to cool down when you’re mad so you don’t call me names”
  • if you don’t have a space that is just yours for at least some time during each day because they invade it
  • if you fear they will go through your phone, diary, journal, etc
  • if you are asking “am i being emotionally abused” that’s also a pretty big indicator that you are

pink-rainbow-sparkles:

sleepy-hylian:

queen-val:

mrs-transmuter:

elaxisfae:

lolhooplacatz:

crazyeddieme:

just-a-penis-with-a-dream:

kibblesundbitches:

unaspi:

bluechirri:

fishyinspace:

supervengers:

cishetsnotinvited:

transheadcold:

nauticus:

friendly reminder not to support lindt this easter season, or apparently ever again, because they support autism speaks.

Wowwwwwwww

SIGH.

can someone please explain why autism speaks is so bad?

because they’re adamant that autism is a disease that can be “cured”. They don’t have a single autistic person on their board. Autism Speaks produces advertisements, small films, ect. about what a burden autistic people are to a society. They only spend about 4% of their money on “family services.” They create a stereotype that makes it hard for actual autistic people, like myself, be heard and recognized as actually autistic. I was diagnosed with Bipolar Disorder before they realized that I actually showed signs of Asperger’s. They don’t actually help us. 

That’s the problem with Autism Speaks. 

(tw for violence, ableism, abuse, murder, and death)

It goes deeper than not having any autistic board members. Many of the allistics running the organization promote the horrific notion that you’re better off dead than autistic, and their influence and “activism” only supports the ideology resulting in the continued murder of autistic children and adults by their parents and caregivers.

Former Autism Speaks board member Harry Slatkin, whose wife, Laura, continues to serve on the Board of Directors, stated in an interview with Town and Country while still a board member that sometimes he hoped their autistic son David would drown in the backyard pond rather than “suffer like this all his life.” Evidencing a pattern of similarly violent rhetoric, Autism Speaks is also responsible for the 2006 PSA “Autism Every Day“ in which their then Vice President states on camera that she considered putting her autistic daughter in the car and driving off a bridge, and that the only reason she refrained from doing so was because her other, non-autistic daughter would have been waiting for her at home—her autistic daughter was in the room as she made these statements. Furthermore, the producer of this PSA explicitly admitted that the film was intentionally staged to portray negative images of autistic people and their families.

Only four days following the release of “Autism Every Day,” pathologist Karen McCarron smothered her autistic daughter with a garbage bag. McCarron stated that she murdered Katie because her “autism had not been improving,” had thought about killing Katie, that made an earlier brief attempt at suffocation, wanted to cure Katie, thought killing Katie would make her “complete” in heaven, and wanted to live without autism and thus had to kill Katie. Investigators found that McCarron was obsessed with different treatments for Katie. (See People v. FRANK-McCARRON, 934 NE 2d 76 – Ill: Appellate Court, 3rd Dist. 2010.) Though it is not presently possible to draw a direct connection between Autism Speaks’ PSA and Katie’s murder, this crime and dozens like it only underscore how the kind of rhetoric that Autism Speaks favors only serves to recklessly endanger the lives of autistic people.

(source article)

Autism Speaks also publicly supports the Judge Rotenberg Center, a group home for autistic and neurodivergent students that uses “treatments” like food and sleep deprivation and electric shock to try and train the residents into acting neurotypical. The center has changed states three times in an attempt to bypass regulation against abusive treatment, and their practices have resulted in the deaths of more than one student.

It’s not just an issue of Autism Speaks making it harder for us to get proper diagnoses and treatment. Autism Speaks is actively killing us.

Well shit.

I was eyeing up their strawberries and cream lindor the other day but this is more important than delicious chocolate.

you all need to know this. You really do. Please do not support Lindt or anything that supports autism speaks. Please.

Seriously Lindt makes my favourite chocolate ever?? but My boyfriend is my favourite person ever so looks like I’m gonna go find a better candy maker, one that doesn’t support murder.

ghirardelli > lindt, and not just because of the autism speaks thing.

I have autism and IM NOT JOKING THIS IS IMPORTANT

Exactly. The autism “research” that autism speaks does, reeks very heavily of eugenics.

Okay, but it’s not enough to just not buy this brand of chocolate. It has to be made known exactly what kind if org Autism Speaks is. The reason they spend so much on PR is so that the general public never funds out how reprehensible they are. No non-autistic person I speak to is ever aware of these things.

If you find out an company is partnered with Autism Speaks, contact them. Call, email, write letters. Offer alternative charities. It may not work every time, but the more people you tell, the fewer people will be likely to donate to them in the future.

this post is from 2014, anyone know if lindt still support autism speaks?

https://www.autismspeaks.org/site-wide/lindt

Unfortunately this is an ongoing thing every year.

In 2017 Lindt has stopped supporting Autism Speaks. They have nothing up on their website about ending the partnership, but if you email and ask they’ll get back to you and say they’re going in new directions.